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These lectures, as I have intimated, are purposely direct of statement, and even elementary. A word ralasransto.ml my point of view this does.
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- The Current Issue
- The Nature of Poetry
- : Dryden on The Nature of Poetry - Literary Theory and Criticism
- Aristotle on the philosophical nature of poetry
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You do not currently have access to this article. It is misleading to read the poetry of the first Romantics as if it had been written primarily to express their feelings. Their concern was rather to change the intellectual climate of the age. William Blake had been dissatisfied since boyhood with the current state of poetry and what he considered the irreligious drabness of contemporary thought.
His early development of a protective shield of mocking humour with which to face a world in which science had become trifling and art inconsequential is visible in the satirical An Island in the Moon written c. His desire for renewal encouraged him to view the outbreak of the French Revolution as a momentous event. In works such as The Marriage of Heaven and Hell —93 and Songs of Experience , he attacked the hypocrisies of the age and the impersonal cruelties resulting from the dominance of analytic reason in contemporary thought. Blake developed these ideas in the visionary narratives of Milton —08 and Jerusalem — Here, still using his own mythological characters, he portrayed the imaginative artist as the hero of society and suggested the possibility of redemption from the fallen or Urizenic condition.
William Wordsworth and Samuel Taylor Coleridge , meanwhile, were also exploring the implications of the French Revolution. Wordsworth, who lived in France in —92 and fathered an illegitimate child there, was distressed when, soon after his return, Britain declared war on the republic, dividing his allegiance.
The Nature of Poetry
For the rest of his career, he was to brood on those events, trying to develop a view of humanity that would be faithful to his twin sense of the pathos of individual human fates and the unrealized potentialities in humanity as a whole. His investigation of the relationship between nature and the human mind continued in the long autobiographical poem addressed to Coleridge and later titled The Prelude —99 in two books; in five books; in 13 books; revised continuously and published posthumously, The Prelude constitutes the most significant English expression of the Romantic discovery of the self as a topic for art and literature.
Simultaneously, his poetic output became sporadic. The work of both poets was directed back to national affairs during these years by the rise of Napoleon. In Wordsworth dedicated a number of sonnets to the patriotic cause.
: Dryden on The Nature of Poetry - Literary Theory and Criticism
The death in of his brother John, who was a captain in the merchant navy , was a grim reminder that, while he had been living in retirement as a poet, others had been willing to sacrifice themselves. From this time the theme of duty was to be prominent in his poetry. Both Wordsworth and Coleridge benefited from the advent in of the Regency, which brought a renewed interest in the arts. Biographia Literaria , an account of his own development, combined philosophy and literary criticism in a new way and made an enduring and important contribution to literary theory. His later religious writings made a considerable impact on Victorian readers.
Aristotle on the philosophical nature of poetry
Sir Walter Scott , by contrast, was thought of as a major poet for his vigorous and evocative verse narratives The Lay of the Last Minstrel and Marmion Other verse writers were also highly esteemed. Another admired poet of the day was Thomas Moore , whose Irish Melodies began to appear in His highly coloured narrative Lalla Rookh : An Oriental Romance and his satirical poetry were also immensely popular. Charlotte Smith was not the only significant woman poet in this period.
George Crabbe wrote poetry of another kind: his sensibility, his values, much of his diction, and his heroic couplet verse form belong to the 18th century. He differs from the earlier Augustans, however, in his subject matter, concentrating on realistic, unsentimental accounts of the life of the poor and the middle classes.